Katherine Munoz is a freelance bassoonist born and based in New York City. Katherine is currently and OAcademy fellow, expected to receive the Global Artist Diploma in June, 2026. In March 2026, she made her orchestral solo debut performing Heitor Villa Lobos' Ciranda das Sete Notas with the Chelsea Symphony.
Katherine’s enthusiasm for classical music has brought her across the country and across the globe. She has participated in Miami Music Festival for two seasons, attended AIMS in Austria and will be returning to Europe this August as a part of the Oacademy residency.
Katherine received her Master of Music degree from Boston University in 2020, where she studied with former principal bassoonist of the Pittsburgh Symphony, Nancy Goeres. Prior to her study in Boston, she completed her bachelor’s from Northwestern University in 2018 under the tutelage of David McGill.
Outside of music, Katherine is a lover of nature, visual art and fiber crafts. She is particularly interested in watercolors, collage, and birding. She has one cat named Mama Mia (Munoz).
Photo by Andy Nappi
Katherine at Salon Avec Moi's Dames of Yore Concert
Ever since my introduction to the bassoon at age 11, music has unlocked ways to connect to others and myself. I love the process of starting with the initial solitary preparation of a piece, to collaborative rehearsals, and finally ending with a performance for a live audience. The act of studying, preparing, and performing art music brings me closer to myself, my peers and the interrupted tradition of western classical music.
The unique way that classical music stimulates mind, body and soul is why I’ve devoted the last two decades of my life to the pursuit of musical mastery. I strive to understand the harmonic, historic and cultural contexts that a given piece presents so that I can interpret it in a way that satisfies the curiosity of myself and the listener. The bassoon is my vehicle to bring note groupings, expressive dynamics and theoretical structure off the page and into life. I perform chamber music in non-traditional venues like bars or tattoo parlors to reach new audiences, while also sitting in the orchestra in churches and concert halls.
I believe more people need to feel the creative satisfaction that comes from engaging with art music in a meaningful way. As a queer woman of color, I hope to perform in a way that both highlights and calls into question the traditions of this centuries old art form. Being both a part of and a break in tradition is an inherent human experience. In a world filled with destruction, artistic creation is more important than ever.